"DEAR MR. ALPERT," SAID A WOMAN FROM THE SECOND FLOOR. She began speaking before the applause died down after Herb Alpert's final song at The Dakota Jazz club this past Tuesday. At the very beginning of his show he insisted that the mood be very casual and he encouraged questions from the audience, "but no song requests."
"Dear Mr. Alpert! Dear Mr. Alpert!" She said again, and finally Mr. Alpert looked up. The woman then told a story, starting with the fact that she had been a nun. It was 1968, and she said that A Taste of Honey "wafted in through my cloister window" from across the way one night, "and it inspired me to leave the seminary."
The applause was deafening.
Herb Alpert and Lani Hall react to a former nun's storyBut let's get back to the beginning of the show.
The opening act is worth mentioning: Mr. Smooth Irv Williams. I found out that Mr. Williams has been a mainstay of the Minnesota jazz scene for over 50 years. So what does that make him?
90 years old! He plays at the Dakota every Friday during happy hour from 4:00 - 6:00. He'll be playing in the evenings at The Dakota in January or February as well.
Herb Alpert and his wife, Lani Hall of
Brasil '66 fame, are touring to promote their first recorded project together entitled
Anything Goes (warning, instant audio)
. As the title eludes, the album includes new takes on old classics, such as
Fascinating Rhythm, It's Only A Paper Moon and
I've Got You Under My Skin.
After his first song, Alpert asked if anyone had any questions. A hand went up and Alpert called on a fellow. I'd like to note how polite the Dakota's audience was that night -- the fellow stood up to ask his question. "Sir, is it true you and Tom Jones met the Queen together?"
To which Alpert responded, "How did you know that?" Alpert then told how in 1974 he performed for the Queen, but was instructed not to acknowledge her during the performance. If she liked what she saw, she would send a note after the show. Sure enough, Alpert received a note backstage. "I forget who else was there," said Alpert. "Ginger Rogers or somebody like that." The Prince told Alpert that he liked his music and listened to it in the palace den. This surprised Alpert, not because the Prince listened to his music, but the idea of what the den in the royal palace could have possibly been like.
Alpert and Hall then played an especially sultry rendition of
Let's Face the Music and Dance. "First, Lani and I became friends," said Alpert, telling a story of when they first met and later when they became a couple. "This is an angel from another planet," he said. "She's from Chicago and she changed my life for the better." Hall then sang a very slow version of
That Old Black Magic. She noted the fast version made famous by Louis Prima, but said she wanted to "slow it down in order to really understand
that lyric." At many points during the show it was clear that Alpert and Hall still have quite a bit of magic in their marriage -- throughout the show they hugged and smiled at each other, and at one point she sat on his lap at the piano.
Hall did most of the singing at The Dakota that night, backed up by a driving rhythm section. Alpert added vocals here and there, but mostly trumpet flourishes whenever he wasn't taking over the melody. Toward the end of the show he took out an instrument he developed himself. "I called the guy, I paid to make it," said Alpert. I didn't catch what he named the instrument, but it's two trumpets in one. One bell is sans mute, and he pulls a "trigger" to switch between muted and unmuted trumpet sounds.
There were more questions for Alpert before the evening ended, including "What is your favorite song?" Alpert couldn't really answer the question fully until he finished his next song, which must have jogged his memory as he ended it in an improvised flourish of
This Guy's In Love. He was reminded of a story. "I called this friend of mine," Alpert said. The friend was Hal David, and at the time he had just written a song called
This Girl's In Love. Alpert asked if him if he could change the gender and some of the lyrics. In the studio, Alpert got the recording in one take.
It's no wonder Alpert is still going strong -- not only has he reinvented the music he's playing, but he gives songs sex-changes and turns nuns into the marrying type. It would seem that his trumpet's big bells rival his own.
Update: That twin-belled trumpet is called the "Gemini." Thank you to Scott Allman, "CherryStreet" on the
Beat 0f The Brass TJB Forum, for that bit of information!
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